尤金·沙德科 (Eugene Shadko) 1987 年出生于白俄罗斯鲍里索夫，是一位在波兰华沙生活和工作的白俄罗斯艺术家，曾就读于白俄罗斯格列博夫艺术学院和波兰尼古拉斯·哥白尼大学。他长期以来一直怀着实验和学习人性基础知识的独特愿望踏上了自己的创作之路。他的每件作品都始于在各种平台、社交网络、他的照片中发现的反思图像，不经意间注意到互联网上的图像，这些图像是他自己经过、探索并转化为他的叙事的。每幅画都是许多个人思想和图像的作品。
脸部和身体部位通常是画作中最优先考虑的部分。一系列肖像画展现了人物、个性，被时间冻结，仿佛静止的时刻。身体的解剖部位经常发生移位、改变、支离破碎；画中的人同时存在于不同的情境和时间。结果，英雄们发现自己脱离了自己的个人故事。
摄影的纪实准确性被抵消了，人物沉浸在画面元素之间的斗争中。色块、纹理和层次的碰撞、渗透、位移和分层强调了绘画的触觉本质，只剩下姿势、凝视和透视——一些非常不稳定、几乎随机的东西，但却是最本质和亲密的。他画中出现的物体散发着明亮的色彩，有时不知不觉地从背景中窥视，让观众有机会更广泛地揭示画面中想法和事件的独特性。
Eugene Shadko, born in Borisov, Belarus in 1987, is a Belarusian artist living and working in Warsaw, Poland, where he studied at the Glebov Academy of Fine Arts in Belarus and at the Nicholas Copernicus University in Poland. He has long embarked on his creative journey with a unique desire to experiment and learn the basics of human nature. Each of his works begins with reflective images found on various platforms, social networks, his photographs, inadvertently noticing images on the Internet that he himself has passed through, explored and transformed into his narratives. Each painting is a work of many personal thoughts and images.
Faces and body parts are usually the highest priority in a painting. A series of portraits show characters, personalities, frozen in time, as if in a still moment. Anatomical parts of the body are often displaced, altered, and fragmented; the people in the paintings exist in different situations and times at the same time. As a result, the heroes find themselves detached from their own personal stories.
The documentary accuracy of photography is cancelled out and the figures are immersed in a struggle between the elements of the picture. The collision, penetration, displacement and layering of color blocks, textures and layers emphasize the tactile nature of the paintings, leaving only pose, gaze and perspective - something very unsettling, almost random, but most essential and intimate. The objects that appear in his paintings emanate bright colors, sometimes unknowingly peering out of the background, giving the viewer the opportunity to reveal more broadly the uniqueness of the ideas and events in the picture.
