Carlo Ratti是胶合板椅子的先驱之一。卡尔洛·拉蒂从实木面板材料中汲取到灵感，创造出了使用整块木板代替木合成材料的家具。拉蒂两兄弟卡尔洛和马里奥不仅支持年轻的先锋艺术，卡尔洛更是受到未来主义，立体主义，抽象主义的折中主义潮流影响，并加入了 Monzese 艺术家族。对木质雕塑的精通让卡尔洛设计并制造出了新造型主义及装饰艺术主义的家具。他同样获得了当时意大利国王翁贝托二世的认可。

在 1919 年的第一届米兰伦巴第装饰艺术展(后成为米兰三年展)上，拉蒂兄弟展出了他们的实木家具，也呈现了他们采用新曲面率技术制造的面板，即 Telo 系列家具。拉蒂兄弟用他们的实木家具和承重性良好的胶合板家具取得了国际的广泛关注。拉蒂兄 弟在各大国际和国内的展会上，还展示了 Telo 系列其他绝妙的产品(行李箱，烟盒等)。 1954 年，卡尔洛设计制造的一把椅子因其高等的工艺和美学价值，赢得了金罗盘奖。

Carlo Ratti is one of the pioneers of plywood chairs. Drawing inspiration from solid wood panel materials, Carlo Ratti created furniture using whole wood panels instead of wood composites. The two Ratti brothers, Carlo and Mario, not only supported the young pioneers of art, but Carlo was influenced by the eclectic trends of Futurism, Cubism and Abstraction and joined the Monzese art family. His mastery of wood sculpture allowed Carlo to design and produce furniture in both neo-modernist and Art Deco styles. He also gained the approval of the then King of Italy, Umberto II.

At the first Lombardy exhibition of decorative arts in Milan in 1919 (which later became the Milan Triennale), the Ratti brothers exhibited their solid wood furniture and also presented their panels made using the new curved rate technique, the Telo range of furniture. the Ratti brothers gained international attention with their solid wood furniture and their load-bearing plywood furniture. the Ratti brothers presented their Telo furniture at major international and national In 1954, a chair designed and manufactured by Carlo won the Golden Compass Award for its high craftsmanship and aesthetic value.